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In Defense of Lost Causes
List Price: £19.99
Our Price: £16.99
Availability: Usually dispatched within 24 hours
Manufacturer: Verso Books
Average Customer Rating: Average rating of 3.0/5Average rating of 3.0/5Average rating of 3.0/5Average rating of 3.0/5Average rating of 3.0/5

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Binding: Hardcover
Dewey Decimal Number: 199.4973
EAN: 9781844671083
ISBN: 1844671089
Label: Verso Books
Manufacturer: Verso Books
Number Of Items: 1
Number Of Pages: 504
Publication Date: 2008-05-30
Publisher: Verso Books
Studio: Verso Books

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Editorial Reviews:

Zizek leaves no social or cultural phenomenon untheorized, and is master of the counterintuitive observation --New Yorker

Zizek is a thinker who regards nothing as outside his field: the result is deeply interesting and provocative. --Guardian

The most formidably brilliant exponent of psychoanalysis, indeed of cultural theory in general, to have emerged in many decades. --Terry Eagleton


Spotlight customer reviews:

Customer Rating: Average rating of 3/5Average rating of 3/5Average rating of 3/5Average rating of 3/5Average rating of 3/5
Summary: Zizek perhaps not at his best
Comment: This book started extremely well: the promise of a sustained argument drawing in the usual references from film, popular culture and the history of philosophy. I looked forward to his engaging Hegelian inversions - how true he is to Hegel I cannot say much in the same way I am not convinced Badiou is faithful to Plato. Anyway, it started well, some nice touches on Michael Crichton films but then suddenly something quite odd happened: the book seemed to fall apart in my hands. It began with a mediocre reading of the abysmal film of `300', using a Zizekian cliché to invert mainstream reading but adding nothing new. And then Zizek seemed to go off topic and began meandering - in the way Derrida does, the drift and focus of argument shifted and suddenly the worst features of Zizekian thought came into play: alluding to Badiou to give philosophical weight to what is a pretty weak position, arguing against some feature or trend in Hollywood films - the truth is he covered many of the same points in the DVD `The Pervert's Guide To Cinema' and added nothing new here - moving between one topic and another, making comments along the way which don't seem to accumulate any force, nor through sheer juxtaposition open up new avenues of thought. It became so boring - something I would never think of Zizek. But it has to be said: once you enter the syntax of Zizek's thought and can negotiate his grammar and language you then look for something substantial being argued for. I couldn't find it. So my overall conclusion is not so good: early Zizek: excellent, genuinely fresh and challenging and occasionally innovative. Recent Zizek: repetitive, re-working old ideas without adding anything, self-referring in a way that is irritating - he often gives you the impression that his position, in parts, has been well established through some earlier discussion - but it hasn't. There is something lazy in this book - something of the obsessional turning out books but not really developing his thought.




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